In this episode, we continue the flash conversation from last week, along with our resident barkeep (not “mixologist”) David. He makes us an essayistic shot, and we all discuss Sex and the City, our shared Italian heritage, the flash equivalents of the drama world, David’s Instagram animal searches, where we’re all absconding for the rest of the pandemic, and, eventually, even more flash essays: Bernard Cooper’s “Live Wire,” and a bunch that Elena put together for a lightning round.
In Episode 6, we discuss very short essays, AKA “Flash,” a term and genre we have mixed feelings about. First we try to figure out what flash means, and then we discuss two (possible) examples: Jamaica Kincaid’s “Girl” and Scott Latta’s “On Sequencing.” Also: near-death experiences, we continue to demonstrate our ignorance of Canadian geography, Glenn Gould’s appearance in two different versions of Joy Williams’ essay “Hawk,” Squirrel burgers, chicken grease coffee, which Muppets we’d be, and more.
In Episode 5, we welcome Jess Kibler to the show to discuss the Krause Essay Prize, a $10K award given to the best essay of the year, chosen by students in Iowa’s Nonfiction Writing Program. Jess is currently getting her MFA at the NWP, and is a former student of Elena’s at OSU. We discuss the Krause Award winner for 2020, Keum Suk Gendry-Kim’s GRASS, as well as why and how the judges chose it, Jess’ path to becoming an essayist, other recent nominees (including Elena’s), and a lightning round about Jess’ home state of Oregon.
In Episode 4, we welcome our spouses, David and Bonnie, back to the podcast to talk about movies that might be essays. Also: a very delayed mailbag, a story about three-thousand-dollar Pennsylvania whiskey, Arlo makes a cameo, we all do impromptu Werner Herzog impersonations, penguin suicide, essayistic film moves, and (much) more.